Summer Reading

IT’S HOT. Not only that, but I am officially done with college and soon moving from NYC to Los Angeles, California where my immediate plans including laying on the beach until my skin is leather. In order to stave off the inevitable existential dread that comes with any newly-printed degree, I am focusing less on the “career” path and more on the “reading all the books you have put off for the last four years” path. 

My dad has an amazing habit of sending me books he reads about in the New Yorker e-mail newsletter (classy guy!). But as a result, I have amounted a vast collection of books that I’ve been forced to watch gather dust while I drag myself through The Canterbury Tales for the fourth time (no ouffense, Chaucer). 

This summer, I want to read books that will make me a more curious and adventurous reader and writer. Of course I want to get hip to the likes of Elena Ferrante and Yanagihara, but I can’t wait to dig into Uprooted, which has been recommended to me more times than I can count; or On Writing which is the concrete source of 99% of literary advice I’ve ever received. I’m also eager to dig into some Raymond Chandler, who Murakami regularly cites as one of his greatest influences. Plus new Roxane Gay? See y’all in the fall. 

What are you reading this summer?

 

 

 

Site Update

Hi there!

If you’re looking for hareandanser.com and have landed here, don’t worry, you’re still in the right place. Recently, I moved all of Hare and Anser’s content onto my personal website. Life is confusing enough without trying to make two different blogs a thing. 

There may be some broken links around here, so I sincerely apologize if you’re met with a 404 page. The info you’re trying to access can most likely be found by replacing the “hareandanser” part of the URL with “katefustich” but I am trying to clean all of that up ASAP, regardless. 

That’s all for now! xoxo

 

Blocking Knitting In A Small Apartment

www.ideas4homes.com

It’s no surprise that blocking is considered an integral part of the knitting process. Those who choose not to block are missing out on a life of even stitches, soft and squishy fabric, and even hemlines. (But that’s another story altogether.)

It would be truly ideal if we all lived in homes with an exclusive knitting room where we could spread out a giant blocking board and lay out ten shawls at a time. Unfortunately, some of us live in New York City apartments where available floor space is a laughable concept. 

If you don’t have much room to dedicate to the art of blocking–whether you find yourself in a dorm room, community space, or the aforementioned East Village studio–don’t fear! Years of cramped quarters have led me to the development of a small-scale blocking regimen. Here’s my tips:

Soaking

Leaving my pieces in an industrial ten-gallon bucket in the basement? Yeah, not going to happen. Believe it or not, I soak my knitting in a pasta pot. Bigger projects tend to protrude out of the pot, so this method requires some stirring/monitoring in order to make sure all parts of the piece get equal attention. Oh, and make sure you don’t turn on the stove.

I also use Soak Wash products in order to maximize my blocking results. I plan on doing a more comprehensive review of their products in the future, but for now let me just say: worth it. 

Pinning

In order to save space, I don’t use any kind of blocking board. Instead, I use a yoga mat. It’s surprisingly perfect when it comes to fitting into tight corners or sliding from one corner of the apartment to another. And of course, when the blocking is all done, the mat rolls right up and stashes away. (What? You thought I was exercising?) 

It very well may just be me, but I find that I am constantly losing all kinds of pins in the blocking process. When you’re blocking in a small and high-trafficked area, a rogue T-pin is the last thing anyone wants to discover. To solve this, I bought a set of Knitter’s Pride Blockers. The large size minimizes how many pins you need (one set works completely for an entire sweater), and they work wonderfully with a squishy yoga mat. 

Drying

One concern I really had about blocking in an apartment was potential pests. Bugs love moisture and the idea of having a wet sweater laying on my floor for a few days freaked me out to the max. But I’ve come to minimize the excess moisture with the use of a bath towel places in between the projects and the yoga mat. This helps keep moisture at bay. 

Furthermore, if you are able to place the project in indirect sunlight, near a fan, or near an open window, the drying process will be pleasantly expedited and you can stop searching exterminator reviews on Yelp. 

Where to Block?

With all of this in mind, you’re ready to compactly block like a pro. But one question does remain–where can I actually block when my floor space is so limited? Here are a few places I have made magic happen:

Under a kitchen table, under the bed, in the bathtub, on a kitchen counter, inside a storage unit, on top of a bookshelf, on a shelf of the aforementioned bookshelf, on the roof (on a hot day)…

Anywhere there is space, it is yours to use! 

Remember, blocking doesn’t have to be glamorous, because your knits will be glamorous afterwards.

xoxo

Breaking The Boyfriend Sweater Curse

It’s one of the most fervent superstitions among knitters that if you make a sweater for a significant other, the relationship is doomed. The myth has several different variations: the recipient will break up with the knitter shortly after receiving the sweater, or the relationship won’t even last through the knitting process. All variations of this legend have come to be known by the quaint (heteronormative) nickname of the “Boyfriend Sweater Curse.” 

My two-year anniversary with my beau is on the horizon–just under a month away. When discussing what kinds of gifts to exchange, my boyfriend brought up the prospect of receiving a sweater. I’ve knit him things in the past, sure–hats, scarves, socks–but nothing as substantial as a sweater. 

Of course I explained to him the lore of The Curse, but he quickly poo-pooed the belief and declared that our relationship has the capacity to withstand any sort of paranormal forces. Now, I don’t know if he was trying to be romantic or just really wants a sweater, but he really got me thinking. 

Thinking enough to pick out a pattern and invest in a substantial amount of Knit Picks Wool of the Andes Superwash in a fine assortment of heather browns and reds. I told myself that if, midway through the project I’m feeling the universe’s warning, I can just co-opt the sweater to be a present for my brother and my boyfriend will be none the wiser.

Still, my fellow knitters tell me to beware. One of my closest friends agrees that smaller projects are okay, but the sweater is just untouchable territory. “Maybe if you guys were married,” she offered. I don’t think I know anyone who’s personally experience the wrath of The Curse, but there’s this entire blog I just discovered with numerous tales. It’s even so rampant as to have its own Wikipedia page. Who knew? Aaaand I just read the term “pre-knitual agreement” and don’t want to live on this planet anymore.

Anyway, I have a few days until the yarn arrives, and my boyfriend is conveniently out of town for two weeks. As of this exact moment, I’m leaning towards “go for it!” but I can’t help but feel a sense of reservation attached to the whole thing. Have any of you ever taken the plunge and crafted a sweater for a significant other? Where have you found truth in the superstition if at all? I am curious to hear reactions to this whole mythos…and I will certainly keep you updates as to the progress of this garment (and my relationship!)

 

2016 Knitting Resolutions

Before you ask, yes, I did make otherwise noted resolutions to eat more broccoli and take the stairs etc. I am only human. But most important to my #newyearnewme is the knitting related goals I’ve set. 

Over the past year, I’ve definitely stagnated as a knitter. Sloppy blocking, basic projects, frogging everything in sight. I’m certainly proud of the patterns I put out and the knitting connections I made, but I really want to push myself to get to the level where next time I go to Rhinebeck, someone will ask to take a picture with me. Just kidding (sort of). 

Here’s what I have in mind:

Toe-Up Socks

Yes, I am the most daft person alive who has knit over 10 pairs of socks and never bothered to learn what everyone considers to be the savior of all sock knitting: the toe-up method. “Oh, but I don’t mind picking up the stitches around the heel flap!” I say as I fashion yet another foot-holder replete with holes and mixed-up sizing. For the good of humanity, I need to stop fighting the light and get on with the toe-up socks. 

A Sweater Of One’s Own

In the majority of my pattern-making, I’ve gotten away with the one-size-fits-most dealio, or just outright said “This pattern will only fit size X” (hence the multiple threads on Ravelry discussing how to re-size Bettie–curse me!). Designing a sweater, even if it’s simple, requires actually being a designer. Sure, I might not get around to this one until December 31, but dammit, it will happen!

Continental Style

Okay, this is The Big One for me. I’ve knit English style (throwing the yarn) ever since I first started knitting back in the day. It’s a perfectly good way to knit, but I’ve also come to realize it represents a much less efficient way for the hardcore knitter to get things did. On Instagram, people have been sharing #howiknit videos for the past few weeks, and I’ve been shocked at the beauty and proficiency of the Continental Style. Now, I’ve seen some of my favorite designers talk about how they, too, went from English to Continental for the sake of efficiency, but that doesn’t mean it’s not going to be any easier than learning Mandarin or writing with my opposite hand. I definitely plan on writing about/photographing this experience so you can all laugh at my struggling little claws. 

What are your knitting resolutions, friends? I’d love to hear what plans you have for a most rad 2016! 

 

Image via Flickr/Creative Commons

Writing As Of Late

Happy Halloween/November/Thanksgiving/Fall/Everything Else I’ve Missed as I’ve been busy writing every day. I’m currently penning prose for The Pulp Zine, Bustle, and NYU Local. As hectic as things have been, I’ve written a few articles I’m quite proud of. 

  • I Asked My Dad If He’s A Feminist” – via Bustle. I was thrilled to receive this assignment from my editor, and slightly more nervous in its actual creation. The reaction to this piece from friends, family, and random strangers on the internet has been really spectacular. I’d be honored if you read it yourself. 
  • Once Upon A Time, I Was A Lolita” – via The Pulp Zine. In which I recount the dramatic tale of my middle school life devoted to the style of fashion known as Elegant Gothic Lolita. Just writing this article made me so tempted to buy myself something from Angelic Pretty…
  • An Open Love Letter To The Power And Magic Of Grimes” – via NYU Local. So, Grimes was in town last week and naturally I had to write something about it. I genuinely can’t believe my editors let me get away with publishing something that is essentially ruminations on why she is the most perfect human being of all time. I also don’t think I’ve ever written anything faster in my entire life?
  • NaNoWriMo – Yep, I’m doing it this year. Amidst organizing my first essay collection and wrapping up my first novel, I decided to indulge and start an entirely new novel on November 1st (err…it was more like November 3rd, honestly). The goal is to write 50,000 words in the month of November. Currently, I’m at approximately 20,000 words. It’s become pretty evident I won’t meet the goal, but I’ve quite fallen in love with what I’m writing and hopefully it will be complete sometime in December (maybe NaNoWriMo should make “runner up” t-shirts for novels completed by Christmas?)

That’s just the highlights of pieces from the past few weeks. I’m sure you wouldn’t be as interested in the “X Pictures Of Puppies In Leaves!” filler I get paid to create. Or would you? 

On another note, I hope your ~*holiday season*~ is off to a fabulous and relaxing start. I’m heading home this Wednesday myself (keep me in your travel prayers plz) for a few days of maximum chilling. In knitting news, I hope to have a new free pattern posted within the next week, and I am currently designing a surprise holiday D.I.Y. that I’m mucho excited for. 

I love you all! 

xoxo

 

 

All About Rhinebeck 2015 + Photos

This post was written by my best friend, MJ Saunders, and originally appeared on her blog. She summed up the whole experience so perfectly and I was honored she let me share it with you!

Last Saturday, I fulfilled a knitting dream I’d had for about eight years and attended my first New York Sheep and Wool Festival in Rhinebeck, NY! Read more below about petting sheep, fearing yarn commitment, and learning–the hard way–about planning ahead…

When I began knitting as a grumpy, anti-social pre-teen, I quickly discovered the online world of knitters and used their beautiful blogs to supplant my lack of real-world knitting friends. Since I had to stay in high school, couldn’t drive, and my yarn budget depended on whatever my mom was willing to buy for me at Jo-Ann, I quickly developed a fascination with stories of the big North American yarn festivals: Stitches West! Taos! TNNA! Maryland Sheep and Wool! And the big whopper: New York Sheep and Wool, aka Rhinebeck, a two-day yarn extravaganza only one state away. To my young self, Rhinebeck was practically a pilgrimage, a conference where knitters of the world gathered to buy supplies en masse and show off their sweaters made just for this special occasion. I wanted to make that journey with them. I wanted to go to Rhinebeck.

Gradually I lost some of my grumpiness and anti-social tendencies and made friends in high school, and–miracle of miracles!!!–many of them were knitters. A few of us even had a weekly knitting club, cramming into a small room off of a teacher’s lounge where we’d knit through the 50 minutes of homeroom and try to ignore the screeching sounds of the printer in the corner. Among these crafty teens was @fooost, who became one of my best friends and favorite knitting companions. Over seven years of friendship we have agonized over many patterns and laughed over many knitting mistakes, and when she moved to New York City to attend NYU for college, we casually agreed that someday, I should come to visit her in the fall and we’d go to Rhinebeck together. 

This May, we compared our school schedules, found that my fall break began the exact weekend of Rhinebeck, and immediately bought passes.

We learned our very first lesson about Rhinebeck on Friday, the night before we’d planned to take the Amtrak from NYC to the festival: it is big. We thought that we could just buy our tickets at the station on Saturday morning, but Friday night when we looked at prices online, we were perplexed as to why the train tickets were so expensive. One phone call to the Amtrak customer service informed us that all the trains to the Rhinebeck station had sold out months ago, and ours were so pricey because there were only SEVEN unclaimed seats on the whole train left. 

So we made peace with our mistake and bought them over the phone, and woke up at 5:30 am in order to pick them up at Penn Station before our 7:15 am train departed. The train ride itself was lovely; though we were seated on the opposite side and didn’t get a view of the Hudson, upstate New York in the height of fall did not disappoint. 

Our lesson on planning transportation ahead continued when we arrived however, and had to wait about 20 minutes for the next taxi to take us to the fairgrounds. After our shuttle dropped off a large group of Brooklyn hipsters attending a wedding nearby, we got to the festival gates at 10 am (however, because we missed the opening rush we didn’t have to wait in line!)

I had read that Saturday is Rhinebeck’s busier day, and that the morning is the best time to come before the afternoon crowds make it too crowded. This was definitely true, and after lunch we could barely get through the barns. The morning was much colder, but much more peaceful, and we walked through the fairgrounds just taking everything in and stopping to browse at nearly every booth.

If you are a knitter, or really a lover of any hobby that produces material goods, you’ll understand what I mean when I talk about fear of commitment. Katie and I had visited a few barns and outside tables laden with hank after hank of gorgeous yarn, but we were too hesitant to buy any of it right away. “We’ll come back!” we kept saying as we passed up bison wool, machine-washable alpaca yarn, and gradient sock yarn. We briefly feared that we’d leave the festival without purchasing anything, too afraid to pick just a few things out of the thousands upon thousands of items for sale. 

Luckily, we were saved by the discovery of the O-Wool booth. After several minutes of browsing, I selected three skeins of O-Wash Fingering in a light, dusty pink called “Pasture Rose” and Katie had put together a bundle of their beautifully rustic Local base in navy, deep green, and gold. And then came Rhinebeck Lesson #2: bring cash. The internet service at the festival was spotty in places, and O-Wool’s credit card service was sadly put on hold. Thankfully they offered to set Katie’s yarn aside until she could visit an atm at the other end of the park, and let her move to the front of the line later to pick it up! 

Aside from the inspecting the wonders of nearly every booth we found (and eating a very delicious lunch), we had a great time visiting the animals at the festival. Local farmers and 4-H groups filled one barn with various sheep breeds and another with goats, llamas, and alpacas, and several people were even selling very cute and very fluffy angora rabbits! We also caught a sheepdog herding demonstration and the tail-end (ha) of the ram auction. I also made friends with one particular sheep who enjoyed having his nose gently scratched, which might have been the highlight of my afternoon. 

What left the biggest impression on me about Rhinebeck overall was that far from being different or disappointing, it was exactly as fun and happy as I expected. Katie and I discussed several times how polite and courteous all of the festival-goers were: though the crowds were large, no one was pushing or shoving to get into booths; no one was complaining if they had to wait in line; we struck up pleasant conversations with random knitters on the train, in the taxi, at a picnic bench, in booths, and everyone was just as excited to be there as we were. It was incredible to look around at strangers and recognize the patterns they’d made their items from and feel amazed knowing that even the most professional-looking garments were all made by hand. It was a convention of several thousand people who were all just as in love with needlecrafts as we were. 

We bought tickets for a return train at 3 pm, even thought the festival ended at 5 pm, and that was a good idea. Along with avoiding the traffic of everyone leaving at once, we also got back to the city in time to give our feet some much-needed rest. It was a long day, but a very, very good one. I couldn’t be happier that my first Rhinebeck was spent on a beautiful day with my best friend, and I know that we will go back together in the future! Although I’m sure we’ll commit to being at Rhinebeck from opening til close, for our first time we definitely were ready to go home early. After all, we had a lot of winding to do…

No Sleep ‘Til Rhinebeck

I am so thrilled to share that I’ll be attending this year’s Rhinebeck Sheep And Wool Festival AKA Knitter’s Comic Con AKA This Saturday! 

My best friend MJ will be flying in on Friday night, and I’m sure we’ll hardly be able to sleep. Neither one of us has ever been to Rhinebeck, and so we’re all the more thrilled. 

Of course, no A+ Rhinebeck attendee would be caught dead without their Rhinebeck Sweater. MJ and I have both knit multiple sweaters this year (something I never thought I’d say…and yeah, it feels good), so we’ll have a few options based on the weather. 

I’ll be bringing along my camera and taking tons of pictures–I promise I’ll try to snap a few that aren’t of me cuddling with a baby alpaca. 

I’m simultaneously thrilled and a bit nervous about meeting so many members of the knitting community, both old and new. I am sure I will flounder through a lot of nervous introductions and treat certain spinners or designers like a Kardashian, but so be it! And of course, if you happen to read this humble corner of the internet, please say hey! 

Anyway, I’ll have so much to share after the fest, so keep your eyes peeled this weekend!

xoxo

Free Pattern: Mithril Beanie

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It’s no secret that I am absolutely, without a doubt, a Lord of the Rings fanatic. I own the books in multiple languages and recently got a Leaf of Lohrien tattoo (sorry mom!). The story and its lore inspires so much of my work and it was really just a matter of time before I created a knitting pattern dedicated to the Fellowship.

Mithril–the namesake of this project–is an elven metal that is lighter than a feather, but stronger than steel. Bilbo Baggins is gifted a shirt of Mithril armor in The Hobbit, and he passes it down to his nephew Frodo in the later trilogy.

Just like Mithril, this beanie is lightweight yet cozy. It’s made using the honeycomb stitch which is an awesome texture to add to your knitting repertoire. The free pattern starts just below. Let me know what you think and, as always, contact me with any and all questions!

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THE PATTERN

Materials:

  • 1 skein of Araucania Huasco Botany Lace in Indigo OR approximately 350 yards of any fingering weight yarn.
  • #6/4.0mm circular needles
  • #6/4.0mm double-pointed needles
  • Stitch marker, measuring tape, scissors, needle

Abbreviations Used:

  • k: knit
  • p: purl
  • k2og: knit two stitches together
  • p2tog: purl two stitches together
  • sl: slip stitch purl-wise

Casting On:

Using your circular needles, cast on 104 stitches. Place a stitch marker to denote the beginning of the round. Join your stitches for working in the round.

Ribbing:

k2, p2 across the row.

Repeat until ribbing measures 3″.

Body:

The body of the hat is worked using the Honeycomb Stitch. It can be a bit complicated and I recommend testing it out with some extra yarn first so you can get a feel for how the pattern works. Even if you’ve worked the Honeycomb Stitch flat before, working it in the round is slightly different. It goes like this:

Set-Up Round: [purl 1, slip 1 purlwise with yarn in front, yarn over], repeat brackets to end.

Round 1: [knit 2, slip yarn over purlwise with yarn in back], repeat brackets to end.

Round 2: [slip 1 purlwise with yarn in front, yarn over, purl 2 together], repeat brackets to end.

Round 3: [knit 1, slip yarn over purlwise with yarn in back, knit 1], repeat brackets to end.

Round 4: [purl 2 together, slip 1 purlwise with yarn in front, yarn over], repeat brackets to end.

Repeat rows 1-4 until the hat measures 8″ from your cast-on edge. 

Crown:

The crown is worked in garter stitch. This is a bit annoying since we’re working in the round, but I promise it’s cool! Work your decreases as follows:

Round 1: [k13, k2tog] Repeat brackets to end of round.

Round 2 (and all even rows): P across to end of round.

Round 3: [k12, k2tog] Repeat brackets to end of round.

Round 5: [k11, k2tog] Repeat brackets to end of round.

Round 7: [k10, k2tog] Repeat brackets to end of round.

Round 9: [k9, k2tog] Repeat brackets to end of round.

Round 11: [k8, k2tog] Repeat brackets to end of round.

Round 13: [k7, k2tog] Repeat brackets to end of round.

Round 15: [k6, k2tog] Repeat brackets to end of round.

Round 17: [k5, k2tog] Repeat brackets to end of round.

Round 19: [k4, k2tog] Repeat brackets to end of round.

Round 21: [k3, k2tog] Repeat brackets to end of round.

Round 23: [k2, k2tog] Repeat brackets to end of round.

Round 25: [k1, k2tog] Repeat brackets to end of round.

Round 27: [k2tog] Repeat brackets to end of round.

Finishing:

You should have 16 stitches remaining on your needles. Cut your yarn and pull through the remaining stitches. Sew in ends.

For a slouchy look (as pictured) you’ll want to block. It really opens the honeycomb stitch and makes for a much looser fit. But you can leave it as is for a tighter, more close-fitting beanie.

Happy knitting!

xoxo

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